“The body is a temple and it’s our job to decorate it.” From tatau in Polynesia to Sailor Jerry to the oppressed class that gave rise to the Yakuza, we touch on some highlights from the history of tattoos.
Huge thanks to my guest presenter Mike “Hobbit” Bickett from Geeks Under the Influence Podcast network. Check out the episode of Smack My Pitch Up he let me do with him.
For those who don’t know me personally, I’m coming to you today from Richmond, VA, the #4 most tattooed city in America, depending on which list you’re looking at, a city with 15 tattoo shops per 100,000 people. Our unnofficial motto is “The body is a temple and it’s our job to decorate it,” right after “We don’t like the way things are, but don’t you dare suggest changing it.”
Tattooing is one of the earliest visual art forms and has served as a means of self-expression for thousands of years. The process was probably discovered when ash or dirt became embedded in an open wound, leaving an indelible mark when healed. The word tattoo is derived from the Tahitian word ‘tatau’ which means to mark. The earliest known reference to the word was made by Joseph Banks, a naturalist aboard Cpt. Cook’s the Endeavour, “I shall now mention the way they mark themselves indelibly; each of them is so marked by their humour or disposition”. By the 1700s, the word tattoo was in use in Europe. The term and knowledge of the practice was probably re-introduced to Europe by sailors returning from Polynesia. I say “re-introduced,” because early Britons used tattoos in ceremonies. The Danes, Norse, and Saxons tattooed themselves with clan sigils, an early form of family crest. The practice took a major hit when Pope Hadrian banned tattooing in the eighth century, but it was the Norman Invasion of 1066, with its ink-antagonist Normans that caused it to disappear from Western Europe until the 16th century.
Continue reading “Ink and Pain: Tattoos, with Hobbit from GUI Podcasts”
We all lose things — keys, wallets, patience — but how do you lose an entire city? Hear the stories of three American towns built in a hurry but kept off the map, secure Soviet enclaves known by their post codes, ancient cities found by modern technology, and the ingenious engineering of underground dwellings.
In 1943, three ordinary-looking US cities were constructed at record speed, but left off all maps. Oak Ridge, Tennessee; Richland, Washington; and Los Alamos, New Mexico held laboratories and sprawling industrial plants, as well as residential neighborhoods, schools, churches, and stores. The three cities had a combined population of more than 125,000 and one extraordinary purpose: to create nuclear weapons as part of the Manhattan project, the U.S. military’s initiative to develop nuclear weapons.
Their design was driven by unique considerations, such as including buffer zones for radiation leaks or explosions. In each case, there were natural features, topographical features, that were considered to be favorable. In all three cases, they were somewhat remote—in the case of Hanford and Los Alamos, very remote—which offered a more secure environment, of course. But also, in the event of a disaster, an explosion or a radiation leak, that would also minimize the potential exposure of people outside the project to any sort of radiation danger. The sites were selected far from one another in case German or Japanese bombers somehow managed to penetrate that far into the United States, it would be harder for them in a single bombing run to take out more than one facility. K-25 plant at Oak Ridge, which was where they enriched uranium using the gaseous diffusion method, was the largest building in the world under a single roof, spanning more than 40 acres.
Continue reading “Secret Cities”